Takeji Fujishima and Genichiro Inokuma　Simplicité and Simple Takeji Fujishima and Genichiro Inokuma　Simplicité and Simple

Date: Sat. 18 September 2021 - Sun. 5 December 2021
Temporarily closed: Sat. 18 September - Thu. 30 September
Hours: 10:00 - 18:00 (Admission until 30 minutes before closing time)
Closed: Mondays (except 20 September), Tue 21 September

Admission: Adults ¥950, Students (college, university) ¥650, Children (0 years to highschool) free
*Ticket valid for admission to the permanent collection.
*Free admission days: 20, 21, 23 November 2021

Takeji Fujishima, Breaking Waves at Daio(-) Misaki, 1932, Collection of MIE Prefectural Art Museum

In Marugame – At the Moment – Three Artist Collectives In Marugame – At the Moment – Three Artist Collectives

Date: 18 December 2021 - 21 March 2022
Closed: Mondays (when Monday falls on a national holiday, closed on the weekday immediately following the holiday), 25-31 December 2021
Hours: 10:00-18:00 (Admission until 30 minutes before closing time)

Admission: Adults ¥950, Students (college, university) ¥650, Children (0 year to highschool) free
*Ticket valid for admission to Permanent Collection.

Collection on View Collection on View

Genichiro Inokuma: Déformation
Date: Sat. 18 September 2021 - Sun. 5 December 2021
Temporarily closed: Sat. 18 September - Thu. 30 September
Hours: 10:00 - 18:00 (Admission until 30 minutes before closing time)
Closed: Mondays (except 20 September), Tue 21 September

Admission: Adults ¥300, Students (college, university) ¥240, Children (0 year to high school) free

Genichiro Inokuma, People Living with Cats, 1952 ©The MIMOCA Foundation

MIMOCA Magazine

A Conversation on Feelin’ Groovy! Walk Around New York with Genichiro Inokuma: Part Two

Column

The exhibit Feelin’ Groovy! Walk Around New York with Genichiro Inokuma was on view until August 15 at the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA). In this second part of the conversation between Hitoshi Okamoto, who served as “chief editor” and Taka Kawachi, a former New Yorker who was “deputy editor” of the exhibit, discuss the characteristics of the exhibit and how it was shaped.Photos by Takeru Koroda

［Detail］

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